I genuinely attempt to see movies on a
clean slate without expectations, but often times I find that
impossible. If a director I'm a fan of makes a film I'll undoubtedly
expect to like it. For example, I saw Magic Mike the same day on
Soderbergh's name alone. I'm also quite looking forward to Wong
Kar-Wai's kungfu flick, The Grand Master. However, the opposite also
holds true, Katy Perry
is a case in point.
I've never listened to her music, nor
do I care for the genre, so I honestly had no idea what to expect
when I pulled open the theatre door. I can however say that I
genuinely felt embarrassed when it came time to hand my tickets to
the usher. Once I settled into my seat
in the nearly empty auditorium, I was again ready for anything.
As with most movies, I believe the
trailers are a strong indicator for the quality of the film I'm about
to watch. Before this I was treated trailers for Pitch Perfect and a
Kevin James MMA vehicle titled Here Comes the Boom. The encore of
this package was a Grease sing-along, which left me both confused and
furious.
Katy Perry begins with several
confessions from fans about how Katy's music has changed their lives.
None of which are convincing because they're generally about 9-12
years old. Eventually we transition into the formulaic outline for
every film like this: talking heads from friends, family and her
crew, basic life story, the struggle to find success, and concert
footage mixed in throughout. This is certainly no game changer.
There were, in all honesty, moments that genuinely interested me. For example, I was unaware that she grew up in a very strict Pentecostal home where her parents were traveling preachers. Though interesting, it certainly wasn't enough to warrant a film.
There were, in all honesty, moments that genuinely interested me. For example, I was unaware that she grew up in a very strict Pentecostal home where her parents were traveling preachers. Though interesting, it certainly wasn't enough to warrant a film.
Not being familiar with Perry's singing
career I believe the live concert footage is what upset me the most.
It's just way too much. You've got outlandish costumes, enormous and
colorful sets, dozens of background dancers, etc. As the friend
seated next to me described them "it's like Dr. Seuss on Acid."
It's
all just so choreographed and forced. I always take issue with
musical acts like this because it feels like it's about so much less
than the music and more about putting on a show to compensate. Once
you take away the costumes and sets, you've got the same generic
unoriginal pop that already floods the market. As one fan remarked
into the camera 'I love that her lyrics come from life experiences.'
I'm not sure I can name a musician whose lyrics don't come from life
experiences.
The film attempts to inject drama by
following Perry as she goes through her ups and downs with her
then-husband Russell Brand. There's not much substance added, as he
just briefly appears in a few scenes and says a word or two, there's
never any attempt to establish an emotional connection to the
relationship. Eventually, as we all know, they divorce and we're
subjected to Perry's depression.
There
is a scene very late in the film that contains a genuine moment whereas
the rest of the film feels so staged and safe. Perry's relationship
seemingly has hit rock bottom as she weeps, mopes, and lays in her chair
before a show. Her crew asks if she wants to cancel the show or go out
and do her best. She pulls herself together, holding back tears,
leaning onto her crew-members and she's unable to stand on her own.
Just as she's about appear on stage, she perks up, smiles, and heads out
like nothing's wrong. Amongst the overdone, glittery mess of the rest
of the film, if there was a movie here, this was it.

There's also a great deal of time spent
discussing her initial struggle for success, which was not the least
bit captivating. Virtually every musician has struggled early on in
their career, this isn't anything to write home about, we've seen it
all before.
It may sound like I'm being too harsh
or brash with this film, but I honestly don't see the point in making
it, and the box office seems to agree with me. I do believe that
Perry seems like a genuinely kind and sweet person, as evidenced by
the interaction with her fans and crew, but I simply don't see any
reason for this to be released in theatres. Sadly, continuing the 3D
concert/biography film series that Bieber kicked off last summer, I
fully expect a Lady Gaga picture within the next year.
D+

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